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‘Hollywood has always been flexible enough to preserve its economic interests’

In his column, Le Monde journalist Thomas Sotinel describes and imagines an…

INNOCNT: A heartbreak set to music

In this edition of arts24, Jennifer Ben Brahim chats with Franco-Belgian singer-songwriter…

With ‘The Seed of the Sacred Fig,’ Mohammad Rasoulof dives into the totalitarian horror of an Iranian household

The filmmaker portrays the intimate workings of autocratic thinking through the prism…

French cinematic history through the lens of Le Monde’s critics

From post-war films to the streaming revolution and #MeToo, Le Monde critics…

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